#Apple logic pro review how to
#Apple logic pro review pdf
#Apple logic pro review mac

This screenshot shows how all the user interface areas can be used together as part of a cohesive workflow. Presets store the state of the controls within a single plug‑in, whereas Instrument and Audio Patches encapsulate the configuration of plug‑ins and routing within an Instrument or Audio track. With so much content on offer - around 15GB - a new filter view offers advanced options making it easy to find exactly what you’re looking for, and the way in which Presets are managed alongside Audio and Instrument Patches is also rather helpful.

#Apple logic pro review mac

This opens a new view consolidating the traditional Library and Loop Browser views from the Mac version into a single catalogue of instrument and audio patches, Apple Loops, samples, presets, and patterns, with handy shortcuts for accessing recently used items or downloading additional Sound Library content. If you’d prefer a new track to be based on a pre‑existing sound, you can tap the Browser button.

Support for hardware MIDI instruments is included courtesy of the External Instrument plug‑in, and MIDI tracks can trigger either this plug‑in or a software instrument. Track types have been tidied into four categories: MIDI, Audio, Pattern and Drummer. The iPad’s internal clock supports 44.1, 48, 88.2 and 96 kHz, with 48kHz being the sensible default. New Projects can be based around the typical Tracks area or a Live Loops grid, and the New Project Setting allows you to define an initial tempo, time signature, key signature and sample rate.

#Apple logic pro review pdf

A collection of interactive lessons explains topics such as recording vocals or software instruments, the Step Sequencer, and so on, complementing the well‑written and usefully organised online help that runs to 959 pages in PDF form. These can be stored on your iPad, iCloud (or other cloud‑based storage), or a server, making it possible to access any Macs that might be attached to your local network. The Logic Pro experience on the iPad starts with the Project Browser, which is based on the standard iPadOS Document Browser and allows you to create new Projects and manage existing ones. It must be a reinvention that retains the essence of what makes the application attractive for musicians. Logic Pro For iPad can’t simply be an imitation. Now Logic Pro itself has made the move and to succeed, it too needs to have a reason to exist on the iPad, embracing the interaction models unique to this device, such as touch‑first and Pencil‑based input. Rather than simply port the Mac version of GarageBand, Apple reimagined it, creating an app that was both recognisably GarageBand yet clearly defined for the iPad.

#Apple logic pro review how to

And what Apple so deftly demonstrated with GarageBand was how to create a user interface tailored to the delicate, yet imprecise, caresses of our fingers. Large parts of Logic’s underlying audio engine have been running on iPads since 2011, when an iOS version of GarageBand was introduced.

With their iPad version of Logic Pro, have Apple succeeded in implementing a touch‑first user interface without sacrificing pro features?